Malala resumes schooling

LONDON: Malala Yousufzai returned to school on Tuesday for the first time since she was shot in the head by militants in October for campaigning for girls’ education.

The 15-year-old said she had “achieved her dream” and was looking forward to meeting new friends at the independent Edgbaston High School for Girls in Birmingham, central England, where she is now living.

“I am excited that today I have achieved my dream of going back to school,” she said in a statement.

“I want all girls in the world to have this basic opportunity.”

She added: “I miss my classmates from Pakistan very much but I am looking forward to meeting my teachers and making new friends here in
Birmingham.”

Source: Dawn

Art and storytelling

By: Peerzada Salman

KARACHI: Anyone who can convincingly tell a tale through a framed work of art cannot be an ordinary individual, because it takes a lot, both creatively and in terms of skill, for an artist to capture a moment in life in the present and at the same time give away its past and predict its future.

Distinguished artist Moeen Faruqi is more than capable of accomplishing that goal. To determine the verity of this claim a visit to the Canvas Art Gallery, where an exhibition of Moeen Faruqi’s latest artworks began on Tuesday, would suffice.

Faruqi builds his tales through characters. His characters are readily identifiable. They look outlandish from certain angles, but they belong to, in fact are deeply entrenched in, the society that he is part of. The one thing that can be traced as ‘common’ among all his characters is their peculiar attitude to being ‘exposed’. It could be fear, shame or even concealed happiness. The very first exhibit ‘Untitled Encounter’ (oil on canvas) is testimony to that. The woman is staring into the viewer’s eyes, while the man, holding a glass, is evading eye contact. Herein begins a story of two people that the viewer knows very well.

‘The Nowhere to Sleep’ (acrylic on canvas) is a wonderful work of art. It is open to interpretation largely due to one non-human character in the frame: the fish. Again, the four characters, minus the dosed-off semi-dressed girl, are not comfortable knowing that they’re being watched. The fish is a symbol of fertility and knowledge.

Knowledge of what? That is the question.

Colours, as is often the case with artists, are an important tool in Faruqi’s narration. ‘Face No 2’ (acrylic on canvas) is special because of the redness that runs along
the protagonist’s nose and neck. ‘Endless Happiness’ (oil on canvas) comes across as a short film with a frozen shot fraught with situations — the cat, the bird, the equestrian theme of the painting in the background, the candles and the candle-holding seemingly timid man and woman.

The show enters the surrealistic domain rather evidently with ‘At Last, A Dream’ (acrylic on canvas). However, what makes it delightfully surreal is the caudal fin of the fish as if the fish itself was following it. And yes, ‘Terra Firma’ (oil on canvas) can also be categorised as such if the viewer tries to read the title in Urdu.

The exhibition will be open till March 28.

Source: Dawn

Gender battles at the UN

By: Rafia Zakaria

ON March 10, more than halfway through the meetings of the United Nations Commission on the Status of Women, delegates that had come together from countries all around the world had failed to reach an agreement on a joint statement.

This statement, normally issued at the end of the meeting, reiterates and renews commitments of governments to women’s issues. This year the negotiations had been thwarted by numerous obstacles. Foremost among them were the issues of reproductive rights, gender and militarism and alleged “traditions” that some nations claimed were being violated by the language of the proposed declaration. The objectors included, among others, Iran, Saudi Arabia, Egypt, Russia, Poland and the Vatican.

Their differences and the possibility that the meeting could end without any agreement prompted the New York Times to publish a scathing editorial criticising the progress of the negotiations.

Beginning with the mention of Malala Yousafzai, the editorial decried the callousness of those stalling talks and lamented the use of the familiar excuse of “religion, custom and tradition” as a means for governments to duck their responsibilities to eliminate violence against women.

Much of the opposition, noted the editorial, came from the usual suspects: conservative American Christian religious groups who oppose abortion rights and conservative Muslim countries.

Four days later, there was good news. At the conclusion of the 57th session on the Commission on the Status of Women, it was announced that agreement had indeed been reached, and a document detailing the conclusions of the session was released.

The agreement reiterated the global nature of the problem of violence against women, proclaimed a commitment by all the delegates to eliminate violence against women and to promote and protect women’s rights and fundamental freedoms.

At the same time, an analysis of the dividing lines along which negotiations stalled provides some crucial insights into the challenges before women’s rights activists around the world, particularly in Muslim countries.

The meeting was attended by representative of nearly 6,000 NGOs from around the world. Most of these delegates do not have direct access to the negotiations and are housed instead in a building across the street from the UN building itself.

Here, the women who work in women’s NGOs around the world have to watch the representatives of their countries present gender issues in ways they know are inaccurate.

Members of Iranian NGOs, for example, have to watch glossy presentations by their representatives that tout progress in women’s rights. This goes against the ground realities which they have witnessed.

This year, the dividing line among those actually negotiating at the UN focused on religion, with countries such as Iran, Saudi Arabia, Egypt, Bangladesh, Yemen, the Vatican and several more opposing various references.

The basis of opposition by the Egyptians was highlighted in a statement released by the Muslim Brotherhood on March 13, just before the meeting ended. According to the Brotherhood’s statement, the proposed document’s title Eliminating and preventing all forms of violence against women and girls was “deceptive” and “included articles that contradicted the principles of Islam and its ethics”. The Brotherhood criticised the document’s treatment of women who practise sex outside marriage as legitimate and equal to women who do not do so, and accused it of “protecting women who work in prostitution”. The Brotherhood also found it objectionable that the document took the right of divorce “away from the husband”, handing it instead to the judiciary.

The disagreements of the Muslim Brotherhood are not surprising as their views on the issues are well-known — as are those of countries such as Saudi Arabia and Iran that have long opposed the empowerment of women.

What is more troubling, however, is remembering that in the Egyptian case, all these views are being presented by representatives that have been selected via the electoral process by populations that know full well their perspective on women’s rights.

Given this, not only do they bring with them the legitimacy of public support, their vehement opposition calls into question their commitment to implementing any of the prescriptions for empowerment negotiated at the UN even previously.

In simple terms, then, the negotiations illustrate two conundrums, the solution of which is crucial to women’s empowerment.

The first is a necessary realignment of those working on empowerment in countries such as Iran, Pakistan, Afghanistan and Egypt, where those purporting to be representatives of religion are not allowed to discard women’s rights as being anti-religion.

This must and can be done by NGOs working at the local level to demonstrate that their policies and work are directed towards the welfare of the same women that religious parties purport to represent.

The second is a politicisation of NGO work so that it becomes part of the political and electoral process at the local level and cannot be relegated to the margins at the global level.

The sidelining of NGOs in the UN negotiation process in which only representatives of countries can participate means that if women’s rights are ever to go beyond paeans and promises, they must gain for their constituency some political legitimacy and accountability.

In the Pakistani context this second issue means an urgent need for an umbrella body of NGOs working on women’s issues that must collectively demand from Pakistan’s political parties a set of commitments about the future of women’s rights in the country.

Unless the leaders of the next government can be pinned down now, before elections, to support principles of gender equality, Pakistani women’s rights activists will face the same situation as their Egyptian counterparts whose empowerment priorities have been rudely rejected by the Muslim Brotherhood.

The writer is an attorney teaching constitutional law and political philosophy.

rafia.zakaria@gmail.com

Source: Dawn

The forgotten history of our women journalists

APROPOS of a report (March 14) giving an account of an event where awards were given to women journalists, I would say it was a commendable move. But at the same time I would like to point out that those mentioned in the report are not the ones to be described as the first few of most prominent of women journalists in Pakistan.

It is true that the number of women working in the mainstream media of both print and electronic is now fairly large as compared to the past. It is also a fact that in English newspapers and periodicals some known women journalists made their mark in the 1980s and 1990s. But there were many more remarkable women journalists, many of whom worked in Urdu newspapers and magazines but whose names are rarely mentioned.

How can one forget the star-studded team of Akhbar-i-Khawateen, headed by Musarrat Jabeen, that included Shamim Akhtar, Naushaba Zuberi, Tahira Husain, Talat Isharat, Sheen Farukh, Rehana Iftikhar and Shamim Ikramul Huq, who used their writing — from reporting to feature writings — for the cause of portraying women and related issues.

They touched those subjects which were otherwise neglected by the mainstream media. Many moons ago there was the duo Meher Kamal and Gaity Khalid, representing the world of wire service, whose contribution as women correspondents away from secured environments was simply unparalleled.

In the world of television there was one Samina Quresh who happened to be the first woman reporter who covered the first UN Women Summit at Mexico.

Again at difficult times, a colleague of hers broke all barriers to become the head of a news division in the state-controlled Pakistan Television.

On the programme side, such names as Raana Sherwani, Shama Hamid, Soofia Latifi, Munawar Toufiq, Moneeza Hashmi and Roohi Aijaz can still ring a bell for producing remarkable plays and programmes on the issues of women empowerment.

Trekking down memory lane, one also recalls the names of Zaibunissan Hameed, Zohra Karim, Bilquis Nasrullah who edited and produced their glossy paper magazines.
There was also a group of women writers, such as Saeeda Afzal, Raana Faruqi, Sultana Meher and Safoora Khairi, representing that segment of Urdu journalism which gave a voice to the voiceless and marginalised segments of the country’s women population.

Indeed, the history of women journalists’ contribution to the country is rich and noteworthy which should not remain restricted to a few names that have become known in the last couple of decades.

A. RAZA

Karachi

Source: Dawn